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Manos a la obra | (2020)

This mural sums up most of Ciudad Museo’s artworks, creating over the façade of where their art workshop is found. Here you can find a collage of several elements found in their murals dispersed throughout the West area of Puerto Rico. The building which was made in 1903 and was formerly known as Escuela Sergio Ramírez de Arellano-Hostos, where the muralism project began, became the Academia de Bellas Artes of the Municipality of Añasco which provides a space for Ciudad Museo. The mural itself, designed by Cristopher Pellot and Bryant Lopez, also makes direct reference to another mural done, on a different side of the same building, by the artist David Zayas back in 2016, which was the first inspiration for what today is and does Ciudad Museo. Zayas’ version of a futuristic jíbarito was the base for the murals’ protagonist figure done by the group on the centenary façade. But instead of looking back nostalgically, this one faces the future with confidence, ready to work hands on, just like those artists that form part of the collective. Establishing a sort of dialogue between both art pieces.


Located on the backside of Anasco’s Academia de Bellas Artes, formerly known as Escuela Sergio Ramírez de Arellano-Hostos.


https://goo.gl/maps/7buP1Jj8RH5A6WJcA

 

 

 

 

 

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Sin Salida | (2019)

Name: “Sin Salida”
Location: Barrio Playa on what was formally known as Escuela S.U. Felipe Odiott Morales on PR-401
Year: 2019


This mural was designed by Andrea Cortes, attempting to capture the struggle of not being able to escape a catastrophic natural event in Puerto Rico; like it happened during the devastating floods in Barrio Playa in Añasco, place where the mural is located, after facing the heavy rains caused by Hurricane María in 2017. Keeping this community trapped, given there’s only one main road that is both entrance and exit; making it impossible to find proper shelter during the tragic events. From this comes the title of the mural, which translates to “without exit”. Using the pitirre birds as symbols, because they’re commonly used as national emblems to represent Puerto Rican’s instinct of survival against every adversity. Referencing this community’s struggle but also their amount of strength during such difficult times.


Located on PR-401 in Barrio Playa on what was formerly known as Escuela S.U. Felipe Odiott Morales in Añasco, PR.

https://goo.gl/maps/vpZPnSPkXgvtapKo9

 

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Mirador de Añasco: Repike caribeño | (2019)

The design of this project was done in collaboration with Samuel González from Pintalto, featuring his recognized mosaic patterns in a color palette that matches the mountains and the sea that surround the building’s structure. The sides that face both of the parking areas are different characters. One a female dancer painted by Laurencia Victoria and the other a male barrel player painted by Bryant López. These two make reference to Puerto Rico’s Afro-Caribbean Bomba heritage, an important part of local folkloric tradition. Which assigns the art piece it’s title; repike which is an alteration of the word repique, meaning in Spanish the ringing of the barrel when it’s hit by a musician’s hands, rhythm which guides and responds to the movements of the Bomba dancers.

The project sponsored by the Municipality of Añasco and local businesses, as a whole was meant to restore not only the appearance of the building but also it’s green areas. Saving this public space from complete abandonment, turning it into a pleasant family friendly environment, reaching the goal of making Añasco’s watchtower into a tourist attraction, where visitors can stop by and take pictures, enjoying their leisure time. Receiving the place a countless amount of people every day.

After it’s reopening in July 2019, done by Ciudad Museo, the stop has become a place where independent local sellers can set up their small business stands, taking advantage of tourism activity. Which has increased since the inauguration of the colorful watchtower from where one can appreciate the view of Añasco’s Bay of Almirante Beach.

Located at the Watchtower in Añasco on PR-115 heading towards Rincón, PR.


https://goo.gl/maps/CxnAVXEJz4V8dhco9 

 

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Postal: Añasco Playa | (2019)

This mural was a private commission done by Gonzalez Mini Market in Barrio Playa in Añasco, designed by Bryant Lopez and painted in collaboration with Krystal Romero. Intending to imitate a traveler’s postcard, capturing the view from the nearest beach on a clear sunny day. Making people want to stop and snap a picture while integrating themselves into the tropical paradise.

Located on Gonzalez Mini Market in Barrio Playa in Añasco.

https://goo.gl/maps/FXdqWm67MjHRzrSu5

 

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Los pescadores | (2018)

This mural is the beginning of a larger macromural titled “Amanecer Borincano”, which translates to “Puerto Rican dawn”, organized by Pintalto. A project directed by Samuel González, who’s recognized for his colorful mosaic patterns. These unify all of the murals painted in the heart of Aguadilla by the collective efforts of invited muralists from all over Puerto Rico, including Ciudad Museo. With this concept the intention was to revive the appearance of Cerro Cabrera, a marginalized sector, in the center of Aguadilla, Puerto Rico. Which was only made possible by the same community, through their hands-on help and hospitality. The fishermen of this same area and their hard work are the protagonists of the main mural done by Ciudad Museo. Their two characters are shown throwing a fishing net over the horizon of small houses, creating a colorful sea of painted walls, taking over the landscape. Which visitors gradually discover as they explore walking farther up into the houses. Turning this area into a murals gallery, creating a tourism hotspot.

Located at Aguadilla’s Macromural at Cerro Cabrera near El Paterre.

https://goo.gl/maps/Ht8aYzdJ1JiytBYN8

 

 

 

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Just Play | (2018)

This mural is inspired mainly in basketball as a sport; done as a request by the Luis Muñoz Marín Public High School in Añasco, Puerto Rico. Restoring the gym area’s appearance by painting, not only the mural, but also the courts floor divisions. As a way to encourage the students of the school to make use of the facilities and keep themselves active.

Located at the Luis Muñoz Marín Public High School in Añasco.

https://goo.gl/maps/hjBesfoBbf6zTaoS8 

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Deep Blue | (2018)

This mural is dedicated to Puerto Rico’s rich marine life, which is commonly endangered by manmade contamination. Featuring a huge tortoise shell turtle, or Carey how they’re locally known as in Puerto Rico. Given that it’s one of the most frequent species of marine turtles to appear on the coasts of the island.

Located in Añasco, Puerto Rico, heading towards the ‘Welcome to Rincón’ entrance.

https://goo.gl/maps/sC3vLKaVN3HgX7s77

 

 

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Brazo de oro | (2018)

This mural is an homage to the Puerto Rican patriot leader, born in Añasco, named Marianna Bracetti. She sewed by hand the flag recognized as that of the Grito de Lares. A political movement in Puerto Rico back in the year 1868, which was intended to rebel against the injustices imposed on the Puerto Rican folk by the Spanish colonials of that moment. Behind the mural’s cubist style figure are fragments of a poem written by José Manuel Torres, titled Brazo de oro, which translates to Golden Arm, as she is formally known.

“Golden Arm” by José Manuel Torres
Translated by Krystal Romero

She was called Golden Arm
because with fire she incarnated
the cloth that enlightened
from the hero a sonorous scream.
She was a rich treasure
in the core of the solar.
To die wise or to triumph
in the patriotic deed
facing against Spain
for patriotic freedom…

Located in front of Old Town Bar in Añasco, PR.

https://goo.gl/maps/kv4xWNPM2cYn4AQ88

 

 

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El trompetista olvidado | (2018)

This mural is a tribute to Salsa music, which is highly influenced by Puerto Rican musicians, making the genre internationally recognized. It’s based off the first lines of the poem “El trompetista olvidado”, which translated to “The forgotten trumpeter”, written by one of Ciudad Museo’s artists, Laurencia Victoria. 

 

“The Forgotten Trumpeter” by Laurencia Victoria
Translated by Krystal Romero

“Through the streets he wandered, from one bar to another,
the forgotten trumpeter in between the city’s wild uproar.
Playing his only treasure, from one door to another,
melodies from his devastated heart.
And in between last minute bands,
the trumpeter let himself be taken in by the euphoria
of the women’s dance and men’s lead during Salsa
Because his heart and empty bottle
weren’t an excuse to tune another song.
The days he upheld were unimaginable

With his inexistent stomach of fastened guts
While he shined his jet black shoes ready for the next stop.
The trumpeter improvised and let himself be taken away
By the band, by the dance, by the bars, by the yearning,
Of the past, of the empty, of the loneliness, of the praises,
Of the beliefs passed from generations to generations.
Without ceilings, without adoption, without acknowledgements
His Salsa packed heart was fiery in any genre
But the soul doesn’t run on forever
And neither can the trumpet be played on it’s own. 


Located next to Pepin’s Bar Los Mumm-ra, near Plaza del Mercado, in Añasco.

https://goo.gl/maps/6gcUHzkuvN4A511q9 

 

 

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Donde los Dioses murieron | (2018)

This mural represents the story of a local legend, where Diego Salcedo, a Spanish conquistador that is said to have disembarked on Añasco’s coast, was drowned by a group of Taínos, marking the beginning of their rebellion against their colonizers. As a way to prove if those white men, that said came from Europe, were divinely superior creatures or just as human as them. This being the reason why the town holds the myth to be “where the Gods died”. 

Located near PR-2 in Añasco, towards Aguada, PR.

https://goo.gl/maps/6FMXkPMSHa8PL96w7